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  • 28 Nov 2011 10:54 AM | Joanie Gagnon San Chirico (Administrator)
    Carl Wright
    Abstract Stone Sculpture
    Art for Homes
    Art for Public Places | Corporate, Health Care, Hospitality, Public Art
    http://www.wsggallery.com 
    304.263.2391 | carl@wsggallery.com

    Above:

    Journey

     

    Journey is  24”w x 18” deep x 36” tall.  Weight – 550 lbs approx.

    Journey with pedestal is 24” x 18” x 60”   Weight 1300 lbs. approx

     

    Journey is  how life is not a straight line but rather an involved process that is easy to understand when you stand outside of it but hard to fathom when you are living the situation.

     

    Both sculptures are from the Exuberant Series, which as the name implies, is about happiness.  These sculptures, when they were being carved and ever after, always lighten my heart. They are always cheerful or playful.


    Below:

    Ambit

     

    12” x 18” x 24” tall Ambit only 250 lbs approx.

    Ambit with pedestal 18” x 18” x 48”     approx. 1100 lbs

     

    From Dictionary.com - Ambit am·bit –noun

         1. circumference; circuit.

         2 .a sphere of operation or influence; range; scope: the ambit of such an action.

     

    Ambit is about claiming suzerainty over your space.  In this case Ambit is claiming his right to be joyful, fold back on himself & then reappear.  His joy of being alive and swaying to his own music that he hears. Constantly rolling along changing, evolving – but always joyful always moving. 

     


  • 19 Sep 2011 2:29 PM | Joanie Gagnon San Chirico (Administrator)

    www.jenibate.com

    jenibate@jenibate.com



    Painting was a frequent joy as a child growing up in Wales and I dreamed of becoming a skyscapist.   In 1995 I came to Southern California, and the vastness of the spaces rekindled that childhood love affair with the skies. 


    After moving to Malibu in 2001, I had an opportunity to work on photography skills.  Another 5 months later I was having difficulty getting my mind off one particular photograph I had taken. I had an epiphany:“Now, you have to paint!”.   I first started working in watercolor, then moved to acrylics, murals, oils,  mixed media,  including watercolor collage and differently shaped surfaces and objects. Sky remains the major influence.


    I started selling work in 2003, through a co-op gallery, group shows, and later through street fairs and other outlets.  I moved to the desert in 2004 and am living in a flat land with those long dawns and sunsets. In the last couple years I have been blessed with a number of solo gallery shows, and my first two public art murals.  





  • 22 Mar 2011 2:04 PM | Joanie Gagnon San Chirico (Administrator)
    http://www.jeanjudd.com
    Phone: 715.566.0212

    Above: Contaminated Water #1, Contaminated Water #2 (Pond Scum) and
    Contaminated Water #3 (Sludge) were all begun in 2009 and completed
    in 2010. Hand dyed fabrics along with rust pigmentation were used in
    the design process. Extensive hand quilting gives the pieces visual
    and physical texture. They can be displayed as a grouping or
    singly in either a vertical or horizontal orientation.


    Jean’s textile artwork covers a wide range of designs from art deco
    to abstract to representational needlework. The pieces compromising
    this body of work represent pieces that are more manageable sizes
    than some of the work produced for private commissions.

    She does not repeat work so each piece is unique onto itself and not
    available in editions. Jean does her own design work, construction
    of each piece from either commercial fabrics or her own hand dyed
    fabrics. All of the handwork is done by Jean including the hand
    appliqué, hand quilting, hand made bias tape, and hand bound
    finishing.

    Each piece is designed from the center out with just a general idea
    and the process dictates where the piece ends up. The hand stitching
    on the wall art gives it the visual texture each piece needs to
    really bring out the shadowing on these works.

    Each artwork can be easily mounted using a variety of museum hanging
    systems, as well as directly on the wall with two (2) simple screws
    or nails. This is all part of the design process for the back of
    each piece, so that artwork is manageable for all to display.

    For more extensive information on Jean's work and her credentials,
    visit her web site, 
    http://www.jeanjudd.com

    Below: Twirling Leaves

  • 09 Feb 2011 11:20 AM | Joanie Gagnon San Chirico (Administrator)
    Jeff Becker Art/Photography
    203.261.9765
    skype: jeffbeckerphoto





    Time is the constant variable in my work. Ranging from the shutter drag of the Swirl Series, to the hours long process of making images by moonlight, and the months-long process of making the pieces that comprise my most unusual work, Evolving Art - Slurry Series, slow is good. And years of collecting make the CapaCity Project monumental.

    From the straight ahead to the sublime, by moonlight, candlelight, or whatever else is available, I look for the unusual in the obvious. My willingness to experiment and reach beyond are the keys to expanding the boundaries of the photographic realm. I make striking images that aren’t seen, but created in the camera over time. Additionally, I have found a way to 'paint' with my inkjet printer, and thus began the Slurry Series.

    My work ranges from the straight ahead photographic to beyond the fringes abstract. I also build installations and can create photo-realistic mosaics in tile, using a software program and a robot to make the physical work. I am currently seeking a public art project to enable the rendering of some of the abstract work in glass.
  • 13 Dec 2010 1:44 PM | Joanie Gagnon San Chirico (Administrator)
    ::  daniel sroka photographs : fine art botanical abstracts
    ::  
    http://danielsroka.com : v/f 815-301-8836 : @danielsroka

    Installation at the Miraval Arizona Resort and Spa, Tucson

    Daniel Sroka creates abstract, dream-like images out of the simple elements of nature, such as leaves, sticks, flowers, and seeds. He finds most of his subjects as he walks through the parks and gardens near his home, collecting the sticks and leaves that have fallen to the ground. In his hands, these overlooked natural objects reveal their complexity and subtlety: "I work like a sculptor who lets the flaws and veins of a stone guide his chisel. As I explore each object, I let its unique characteristics guide my hand and eye, allowing me to discover patterns and forms hidden within the material."

    The resulting photographs are 'sculptures' of light, texture, and dimension that celebrate the physical and spiritual grace that can be found within the simplest elements of nature.


    "Glass Slipper" (abstract of melting ice), photograph by Daniel Sroka
  • 05 Nov 2010 10:32 AM | Joanie Gagnon San Chirico (Administrator)
    Website: http://lisacall.com
    Blog:  http://blog.lisacall.com
    Facebook: http://www.facebook.com/LisaCallFineArt
    Twitter: http://twitter.com/lisacall
    MakeBigArt: http://makebigart.com

    Contact: Lisa Call, PO Box 22992, Denver, CO 80222
    email:  lisa@lisacall.com
    Phone: 303-910-1569

    Structures #98
    © Lisa Call
    29"x30"
    Textile Painting (Fabric hand dyed by the artist, cotton batting, cotton thread)


    Structures #59
    © Lisa Call
    70"x56"
    Textile Painting (Fabric hand dyed by the artist, cotton batting, cotton thread)


    Structures #35
    © Lisa Call
    32"x49"
    Textile Painting (Fabric hand dyed by the artist, cotton batting, cotton thread)
    Installed at University Hospitals in Cleveland

    My abstract textile paintings are informed by many elements: my love of the colors and geological forms of the southwest, repetition, pattern, and an attraction to human-made structures for containment such as fences and stone walls.  I work in series, exploring themes of interest in depth.  Color is of primary importance and is combined, intuitively, in unexpected ways, employing a unique palette of cotton fabrics I hand dye.


    I am drawn to textiles by the tactile nature of the medium and intrigued by the flexibility of woven fabric in contrast to its underlying rigid grid construction.  I manipulate sections of preconstructed color, verses applying pigment in small brush strokes, to create a composition.  Individual elements are freehand cut and placed onto a flannel-covered studio wall, where I work improvisationally, designing, constructing and refining the lines and shapes in the piece.  Extensive stitching on the surface adds rich texture to the finished work.


  • 22 Sep 2010 10:34 AM | Joanie Gagnon San Chirico (Administrator)
    Anne Leuck Feldhaus Studio
    Contemporary FoLk & Urban PoP ArT
     2040 W. Roscoe . Chicago . IL . 60618
     Website --> http://www.AnnesArt.com
     Blog --> http://www.annesart.typepad.com
     Facebook --> http:// www.facebook.com/AnneLeuckFeldhausStudio http://www.facebook.com/AnneLeuckFeldhausStudio
     Phone: 773-772-1085  Fax: 866-519-7004
     Email: Anne@AnnesArt.com



    “Making art and seeing the joy it brings to other people inspires me, and keeps me moving forward in life. Like music, art can take you to a different place and nurture your soul and spirit. Nothing makes me happier than to see a smile creep across someone’s face as they experience my art for the first time.”

    Working out of her Chicago storefront studio, Anne Leuck Feldhaus celebrates life with paint.

    Her simplified forms, sophisticated compositions and vivid color palettes provide a bold mix of contemporary folk and urban pop art.  As a pet adoption advocate, Feldhaus uses her animal-themed art to encourage support of animal welfare and shelter organizations.

    In addition to pets, Anne’s imagery includes city and landscapes, narratives and the occasional still life. She welcomes and enjoys the collaborative nature of commission projects from initial sketches through execution and final delivery of the work.


  • 02 Aug 2010 2:06 PM | Joanie Gagnon San Chirico (Administrator)
    The Foundation for Photo/Art in Hospitals
    Elaine Poggi, Founder and President
    www.HealingPhotoArt.org


    Malawi


    St. Louis, MO

    The Foundation for Photo/Art in Hospitals is a USA nonprofit organization dedicated to placing large, colorful, and soothing photographs of nature in healthcare facilities around the world to give comfort and hope to patients, their families and care givers.

    We have placed over 2500 photos in more than 150 facilities on 6 continents!
    Established in 2002, the Foundation offers an extensive portfolio of photographs ranging from tropical beaches to Japanese cherry blossoms to the Tuscan hills, donated by the founder and photographer, Elaine Poggi.

    “When I am scuba diving, I see incredibly colored fish and coral. When I am driving around the Tuscan hills, I feel the peace and tranquility of this land. When I am hiking in the Dolomite mountains with my husband and my little dog, I smell the fresh, crisp air. My hope is that my photos transmit these colors, feelings and scents to all the patients who view them.” Elaine Poggi

    Check out our new Contributing Photographers Program.  If you are a nature photographer, and would like to donate one of your images to brighten a hospital room, please contact Elaine at epoggi@HealingPhotoArt.org.
     
    below:
    Haiti

  • 02 Jul 2010 11:54 AM | Joanie Gagnon San Chirico (Administrator)

    ROSOFF ARTWORKS
    949-285-6080
    Skype:  jillwatercolor
    Website:   http://www.RosoffArtworks.com
    Small Paintings Blog:   http://jillpaints.wordpress.com
    Architectural Illustration:   http://www.RosoffArtworks.com/ArchIllustration/



    I love finding great, wonderful shapes, both man-made or in nature, like the petals of a poppy, or the shadow created by an open shutter on a wall.  And I love to juxtapose them with color and pattern, playing them all off one another, and finding a point between them where they visually set each other off.

    I look for those fulcrums, the points that are somewhere between opposite components in the colors, shapes and patterns, where magical visual things happen. Watercolors have the unique quality of transparency to exploit, so that when I’m layering them they make rich and intense color.

    My exploration in watercolors is about how these elements interact with each other, about finding combinations that makes them each come alive. There is grandeur and simplicity in it, calm and peace and energy.

  • 26 May 2010 11:34 AM | Joanie Gagnon San Chirico (Administrator)
    Sarah Bush
    Jackson Street Studios
    http://jacksonstreetstudios.com
    201-563-4317


    Starting Over



    Passage


    Digital Collage on Glass

    Visit My Blog:
    http://makegreatstuff.com
    Helping Busy, Artistic People Weave Creativity
    Back into their Lives Again

    Check Out My Recent Artwork
    http://sarahbushartworks.com

    My goal for these digital collages is to explore the transcendent relationship between image and memory by digitally combining my photographs, drawings, and collages and transferring them onto reflective glass so that they seem to glow from within—a technique I believe helps express that relationship.

    I want the hologram or “glowing” aspect of the work—and the way the look of a piece changes throughout the day as the light moves through the room—to provide ongoing opportunities to evoke your own non-verbal experiences about time, memory and “knowing” and allow that intuitive, subconscious understanding to rise to the surface.
    __________________________________________________________
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